April 10th, 2009.

Once again we’re rubber to road on I-70 eating little bunny-shaped cookies sent from home.  The grey is closing in but the rain’s let up and after tonight we’re 100% east-bound, headed home.

It’s absolutely impossible for me to describe how exquisite the last 24 hours.  My words fail me.  Collectively we took 498 photographs and videos.  And they fail me.  I’ve had to cut them down to what you see here in the Journal for the sake of not filling a hundred pages of traversing tubes [the advantage of moving the Journal – I’ve added a LOT of photos – rob 8/19/19], examining lead type in the walls, wondering at happy manta rays, wandering through caves… I got stuck in a couple of narrow corridors, startled a number of small squeaking children, got lost and had to ask same squeaking children for directions.  Thanked a number of previously un-mentioned deities for the foresight that involved me having a flashlight in my pocked so I could make my way back out of the weird oubliettes that I’d stumbled into.  My heart skipped a beat as I encountered monsters with teeth, or again, unexpected squeaking children. 

There have been many amazing experiences on the road over the last five and a half years, enough that I can’t really point to any one thing in particular and say “that – THAT was the best day – THAT was the most beautiful thing – THAT was the most exquisite experience” – but I CAN say without a doubt that the City Museum of Saint Louis, MO is the single most amazing man-made artifact we’ve had the pleasure to experience.  If I seem overly ebullient (thank you Mike), that’s only because you haven’t been there.

Go there.  But rent the knee pads.

It gets me thinking of top 10 type lists… finest moments.  I’ll have to place my brain to that task – and I’ll probably put thunderstorms in Arizona on there, the Redwoods of California, waking up in the snow in Estes Park would vie for a top position… seeing Will Shaff and his What Cheer Brigade – and the City Museum.  I’m full of the after-wash of joy.

We spent the day running around in the City Museum.  We should’ve gotten there earlier.  Don, a friend we’d made the night before at the Cabin Inn’s open mic, was all too happy to take us on a tour from the ground floor to the top of the museum.  He has been with the project for a while and though he hides it well beneath a steady tone and an almost-bored tour-guide affectation, little slips of “and now – the best view in the city” and other such comments let the pride shine from him.  He explains that the crane on the roof is operational and integral in dragging things like the school bus to the roof and other objets d’art into the interior of the building.  He talks about the owner being somewhat reclusive, but attending art openings and the 10-year anniversary of the museum in a tuxedo and work boots.  He introduces us to the welding crew who are braving the drizzle to rebuild the dome of a planetarium swiped from some disused building in the area.  He pulls us through a big ballroom occupied by a single woman embroidering in a corner and describes some of the events, including the fact that they’ve donated the space for roller-derby bouts.

We spent 4 hours there and felt rushed.  And it was too rainy to do anything outside – so we didn’t wander the exterior tunnels and slides at all.  I think I need to go back at least two more times before I’ll feel like I’ve grasped the place, and then apparently it’s ever-changing.  A yearly pilgrimage, though unlikely, seems necessary.

After a very full day of exploration, Susan and Heather and I ran out to a local drum store, picked up a very unique shaker, got dinner, and made it back to the Cabin Inn in time to watch a bluegrass / country act called NashStreet perform the set before ours.  They packed the bar and despite constant issues with feedback, put on an admirable show.  Very young, but with one of the finest female mandolin players I’ve ever seen (yes Avril Smith, I’d compare her to you) – and we can drop the qualifier – one of the best mandolin players I’ve ever seen PERIOD, good harmonies, they were tight, polished…I was very flattered to have them as our opening act.

After they were wrapped up, we did a quick change-over and tried to keep their audience in addition to our own.  Though they stuck around for a while, they eventually filtered out leaving us with a much smaller but still very enthusiastic crowd of people.  We eventually captured a batch of skaters from the upstairs half-pipe and a number of the people who Lived in the building.  Susan had a dance floor all to herself, but the rest of the audience sat rapt.

It was a good night to be in out of the rain in Daniel Boone’s old hand-built cabin, deconstructed and rebuilt in the base of a building in downtown Saint Louis.  A very good night.

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