April 27th, 2014.

In unrelated news, worried about Orion. He’s looking rough and isn’t himself.
Stuck in traffic for a while, I of course take the opportunity to photograph my socks. We actually were stuck in the aftermath of a pretty horrific accident where a pickup truck appeared to be folded in half on TOP of a disintegrated minivan. We read in the news later that all parties survived – which is amaazing. Partially inspired by this, I got curious about the cost of safety features in cars and how many Lives were theoretically saved by them… a difficult thing to look up, it turns out. Time for some serious maths….

So at around the same time as we were playing one of the best rock rooms we’ve ever laid foot in, playing with one of the best metal bands I know (yes White Rose Confession, STILL, after all these years!), a write up for NEXT Saturday’s show was busily proclaiming us one of the “best bands in contemporary folk”.

Sigh – labels, labels, labels. I really wish we could transport our audiences every once in a while – just to see what would happen. I’d Love to show Pesky J Nixon or the NERFA crew what it is that we did in the Cannery last night. And wouldn’t mind finding out what the Grey Curtain (the second band last night) or Super Bob would think of one of our coffeehouse sets. And above all of course, I just wish there was a venue out there that we could fill on a regular basis where we could be ourselves right across the spectrum.

While visiting Kristen’s mom in Connecticut there was mention of goats. Where there are goats, you’ll eventually find ilyAIMY because we are goat-watchers. We Love staring at goats, and obviously goats Love staring at us.

The New Deal Café comes close. Teavolve’s right there too – but we still can’t get as crazy as we’d like there. We’ve got some language stipulations there that don’t get relaxedtill the end of the night. And we’re running our own sound, no lights – no real stage.

Last week’s show at the State Theatre and last NIGHT’S show at The Cannery really spoiled me. Big light shows, amazing sound – in the case of the Cannery last night, some of the best sound we’ve ever had. What REALLY impressed me was not just that Chris (our spectacular, snowy-maned soundguy) could make ilyAIMY sound pristine on stage, and not just that Chris could make White Rose sound amazing – but that he could do BOTH. Most venues can do the acoustic thing but don’t really know what to make of drumkits and amps – or vice versa. But have real trouble dealing with both over the course of one night.

First show of the current wandering – Heather joins us at the Stoughton House of Brews in Stoughton, MA for an awesome, high-energy kick-ass three hours of music.

Now any time I have that conversation with anyone someone will no doubt speak up and say something like “wellllll any PROFESSIONAL won’t have that problem” blah blah blah – we’ve worked with a LOT of people and PLENTY of professionals have that problem! Last night was simply one of the best sounding rooms I’ve ever been in, and I was chatting with Chris, that’s not just the room, and it’s not just the gear, and it’s not just the man behind the board – it’s a pretty magical combination of all of the above.

SO – The Cannery in Southbridge, MA is part of a large, old stone building next to a river – the environment is gorgeous, and not at all what we were expecting for a rock club, much less from the choice descriptors that the locals were rather judgmentally flinging at the area. On top of having one of the most beautiful stages we’ve ever played on with one of the best systems we’ve ever played through with one of the best bands we’ve ever played with, the interior also contains one of the most beautiful bars we’ve ever killed some time in. The Dark Horse Tavern had great food, great drinks – and our great friend – Josh Chase waiting for us! We sat down in the dim interior and didn’t even notice him at first. Eventually the owner of the place came by and greeted us – her name is Jeremy – Heather quipped “I bet there’s a story behind that name”… Jeremy replied “well, you’d think…”

If I was following everything correctly (and who knows, dear reader, you know how my muddled mind works), Chris cut his teeth on Motown bands and was telling me stories of running sound for The Blues Brothers (my mom would’ve LOVED this guy), he’s custom built the subwoofers in the room (yeah, those things up front that somehow without being TOO LOUD were still blasting me with puffs of air that quite literally) and was using a slowly accrued custom rig combining some really fabulous digital routing, analog effects, and everything in between. The speakers and a lot of the hardware came from a closed down House of Blues, and walking in and seeing all the QSCs on stage always makes me feel a little more comfortable, and then Chris was describing how the room was designed, pointing out all the subtly beautiful (or perhaps beautifully subtle, because you just have the IMPRESSION of being in a big box theatre) features that had apparently been designed by Boston’s sound engineer (yeah, THAT Boston)… no right angles in the room, no hard surfaces, sonically dead – add to that a high-end digital projection screen and pretty amazing lights and you’ve got a room that looks and sounds like nothing we’ve ever been in.

Movies and fractal designs and swooshes and lights being mostly-manually controlled by another guy in the sound booth – a tasteful volume level (I like things loud, but not as loud as I used to – and this really was a killer level of “I coooould use my earplugs, but I REALLY don’t need them) – a marvelous night in one of the most amazing rooms we’ve ever played. Unfortunately the area has a Reputation. We had lots of people who had really negative things to say about Southbridge, MA – I guess it’s pretty redneck and there was definitely the assumption that if we were playing in Southbridge we were playing a crappy dive bar. Nothing could be further from the truth – and I hope word about this place spreads. This is a real MUSIC venue – not just some place that happensto have music. I frankly really, really wish we had something that felt like this back home.

upComing & inComing

Leave a Reply

Your email address will not be published. Required fields are marked *