That’s some fraught shit. These are now two words that I really, really like together. Fraught shit. 2020 is some fraught shit, and today it feels like nothing will ever be the same again.
In truth, I’d come to that conclusion a while ago, but our psyches have momentum. Not like the way a freight train has momentum when it’s going 80mph and you try to slam the breaks on. Like a freight train going 80mph coming up on a 90 degree curve. We’re going to go plowing straight on no matter the collateral damage or the self-mutilation. We’ll scythe through buildings and people and house pets alike, and it’s going to take a lot more than one, two or even three near-death-experiences to get us to change course.
And so though I have flashes of optimism, that’s just my freight train pulling ahead of the tracks and pummeling on forward – because the curve was built after a long downhill decline – and there’s a cliff not too far off.
I’m reading posts from performers who’re going to just hang it up till they can perform for real again. Some of them say they don’t judge those that do, but most of them mention that they hope that other musicians will treat one another with the respect to end streaming “performances” and wait till we can actually head back into the venues. I’m reading posts from audience members who’re saying much the same thing. They’ll wait until there’s a “real” show, thank you very much. I’ve received some really fraught shit about how we’re just wasting our time trying to present a festival virtually and that we shouldn’t bother. The effort’s “exhausting”.
Yeah. It is.
I hope there IS a vaccine in December. But when I go into the streets of Ellicott City and enter a store, I see the sign that says “no mask no service”. And I exit the store and I walk down the street and I can see the people that are wearings masks, and I can see the people who aren’t. I won’t be able to see that with a vaccine, and with more than a quarter of Americans currently saying they wouldn’t get vaccinated even if there WAS a vaccine (https://abcnews.go.com/Politics/27-vaccinated-coronavirus-republicans-conservatives-poll/story?id=70962377) and a new study from Spain concerned that immunity and antibodies might simply not last from Coronavirus (https://www.bbc.com/news/world-europe-53315983) making it seem like even vaccinations maybe short-Lived solutions – well masks and social distancing might be here to stay.
I know, I know – you just take a little from military slider and add a little bit to the research slider… train up more scientists and accelerate the program! Alas – Master of Orion taught me in no uncertain terms that plagues were overcome with research points – but it’s not something you just buy. Maybe we’ll have a vaccine in December. Of 2021. Or 22. Or never. Or maybe you’ve got to get it every 3 months. Or maybe it costs $1000 and can only be administered by a doctor with hospital-admitting priveleges.
The point is – we have no idea when or even IF that happens. So what’s your timeline? If there’s no concrete endpoint how long are you on pause? How long before you perform? Before you go out? Do you let festivals die? Or do you find another way to do them? Do you go virtual this year and hope we do it with masks next year? Or do you just go dark.
It IS all exhausting. But I’m too pessimistic to be optimistic enough to just wait it out. And I think too many people are going to throw up their hands and dive back into their Lives in full once they’re tired of waiting, rather than realizing a hundred percent commitment to the middle ground (wear a damned mask) is probably JUST the thing we need.
2 thoughts on “July 13th, 2020. Wear a damned mask.”
Just for the record I think your virtual performances ARE Real performances and just because everything in that regard isn’t exactly what I’d like it to be I’m going to continue to tune in and rock out even if it’s in my living room… Don’t stop now rockstar
As a fan who lives across the universe, and may never get to see you perform in person again, I have been thrilled with the virtual performances when I can watch them. And the same goes for other performers. This change in The Way Things are Being Done Now has expanded my exposure to talent.