February 15th, 2022. The Spring with Eli Lev.

The video from February 16th. Unfortunately, as has been the mysterious case for the last several months, the museum’s network craps out about one and a half to two hours in and you start getting ARTIFACTS!
C’est moi kicking off the Spring. Photographer Kim Keller is making a book on the community encouraged by the Sandy Spring Museum, and though I’m sort of the opinion that the “community” has been created by myself and Institute of Musical Traditions, with the museum kinda kicking and screaming and fighting us all the way, the attention is still very welcome! Plus… hey! Me!

The Spring continues merrily along it’s path. I was really bummed when last week’s attendance was lack-lustre for the Honey Badgers, but the rest of the nights have been as packed as we are willing to pack them for the last couple of months. Last week we ALSO increased our capacity to 30 in recognition of slowly-declining COVID rates (and in recognition of how far we have to go yet, it’s good to note that we’re still at something like one quarter the Before Times room capacity!).

Juels Bland via the eyes of Kim Keller.

In any case, this week things felt a lot better, at least for the beginning of the evening, missing maxed capacity by one, which, since we had a special guest photographer, kinda worked out in any case. Unfortunately 1/3 of that population was one group of performers and students who showed up late and left shortly after performing – which was pretty crappy. I get that they’re school kids, but we might have to clamp down on that in the future since that means turning away people who, frankly, would’ve been there for our feature (the incredible Eli Lev) and the remainder of our list. The room really looked kinda empty by the end of the night, which always sucks.

Teacher Cory Chubb and student Katherine taking the stage with entirely-improvised songwriting.

So, the advance signup and the reduced capacity continues to throw challenges at us – and the next couple of weeks I’m actually going to be away, trying to make sense of all that stuff remotely, so who knows HOW it’ll shape up. Doug and the museum are trying to come up with some other solutions to allowing plenty of audience bookings while NOT overbooking performance slots, but so far this has been woefully over-complicated.

Cory Chubb’s apparently a school teacher in the area and he brought us a bunch of his students. Unfortunately, a mom set up the slots on the open mic list and had simply told me that they were a “bunch of kids, all between 8-11” so between the fact that that’s how Cory (with Katherine, above) was introduced, the fact that everyone was wearing masks AND Cory frankly looked really young to me, I really didn’t know what I was dealing with at first! But they were a very cool collective.

I just dream that we’ll get it all sorted out before our funding runs out, so it feels as if we get to end while looking like we knew what we were doing!

Cory with Katherine on cello in the foreground, then either Amelie or Aurea on sax, Sam on either oboe or violin, and then someone else… either on violin or oboe! (and there’s Kim Keller in the background!)

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