October 1st, 2012.

Bryan Dunaway at my Teavolve open mic in Baltimore, MD.

It’s a grey morning in Baltimore and, at least through the limited scope of my unwillingness to ACTUALLY go to the window and look around, it looks like the rain has washed our street clean of cars. Or mayhaps everyone decided to get up a little early, or simply run away.

It’s a not-so charming fact about Charm City that it smells like wet dog in the rain, possibly due to the fact that it’s been acknowledged as one of the top 10 dirtiest cities in the nation – but I technically Live over the line and there’s no sign of such olfactory offense here in Catonsville. Of course, betwixt bagels and hot coffee and the eggs I’ve got cooking up in the kitchen, I might not even notice – but generally I’ve never noticed that distinctive moist Baltimore stench in my own backyard.

This past weekend Heather and I went out to West Virginia for a couple of shows and one of our Open Mic Events. The shows were fun, the open mic was sort of sad – the first one we’ve run sans Bryn’s presence definitely showed who brought the locals out.

Saturday, September 22nd ilyAIMY was joined by our old friend Justin McMahon (from Reno, NV) at Teavolve in Baltimore, MD. He’s gotten really, really great. It was fantastic to be able to give him with a warm and excited room for the night.

Without her on the ground in the area, we didn’t even see a couple of our “regulars” for our irregular event.

But the weather was beautiful and the two other shows we played were outdoors – those two things got together and made for a wonderful weekend. Plus, in addition to booking the shows, our friend Erik grabbed us a Lovely little cottage of a place to stay out on the farmlands out there and Heather and I had a nice night gathered around a laptop watching a Terry Pratchett movie in about as idyllic surroundings as one can imagine.

ilyAIMY at Teavolve.
ilyAIMY performing at Teavolve. With Justin McMahon and Seth Horan joining us it made for kind of a short set for us, but it was a fantastic night. Full house, good times perpetrated.

Sunday we got back into town for the last of my Sunday night Takoma Park Open Mics, a bittersweet night. LEA was my feature, totally by coincidence. We’ve had many great artists, I had to cancel about two months of great artists, but LEA’s performance was one of the best and it just so happened that I’d booked her for the night that was destined to be our last one.

Absolutely no complaints there. The last couple of weeks had been very, very slow and the feeling of slow had been exacerbated by a disturbing tendency to lose the “cool kids” to the exterior with the nice weather, coming inside only for one another (the same problem we once had at Jahva House, all those years ago… except these cool kids for 40-somethings rather than 20-somethings) and undermining the whole sense of welcome and community that I work so hard to foster.

ilyAIMY in the house. Tea house that is.
There are NEVER photographs of me floating around, so I was really flattered that my friend Shannon Bishop decided she needed to document our Takoma Park Open Mic Patented List Selection Device!

So maybe it was time for us to change things up – and what with the turnover at Teavolve in Baltimore I just can’t run TWO weekly open mics, not with the touring that’s coming up. Ada, the owner of the one of the local restaurants that’s been courting the Takoma Park Open Mic, came out to see what all the fuss was about on the very last night and she was impressed. We chatted for a while and if I get to the point that I feel like taking on another weekly obligation, it might just end up at her place…

Sunday night itself was absolutely delicious. We had a lot of my favourite regulars and a good number of surprise not-so-regulars and one or three brand new people including the not-so-new-to-the-audience but first-time-performer Joel Pomerantz. I think I MET Joel initially as a performer back at the Year of the Rabbit in the late 90s but shortly thereafter he became “just” an audience member of proponent of such local organizations as SAW (the Songwriters Association of Washington). I think the first couple of times I saw him out and about at open mics I’d asked if he was going to perform, but quickly his quirky a capella performances faded from the scene, if not from memory.

Tonight’s Teavolve open mic (September 24th, 2012) was a little bit painful – though much of that pain was assuaged by the surprise appearance of Eliza Doering of The Penny Black – but the night had a total list of 4 people and an almost otherwise completely empty room. I blame the Orioles being in town (baseball games at Camden Yards generally knocks out a lot of access to the city) but MAN it was embarrassing to have three new artists…. and no-one else!
Kitten and cat interaction update.

And so it was absolute glee that I saw Joel had signed up to perform – and he even performed his “classic” “Bowling”. It was even better than I remembered and though most of his set was given over to what I was SORT of expecting (advertising SAW and the Electric Maid) it was kind of great to hear that in the intervening years his singing voice has gleaned gravitas and stylization and further eliminated his usual shaky stutter.

It was a highpoint for me. And I thought it was great, especially after last week’s Geezey Incident that we could show that we were accepting of someone who was kind of a bizarre performer – without that performer being seen as threatening.

LEA was amazing. From her opening chord I got those chills that I so RARELY get nowadays, and Kristen joining in on cello was simply amazing. The richness of LEA’s voice filled the room, the beauty of her, her performance, her chords – her soul – just shone through the room. I gave her upwards of a full 35 minutes I think, using perhaps most of our “extra” time for the night on her, and despite my later sweating over the clock, it was thoroughly worth it. The new material (and it was almost ALL new material!) is inspired, and she’s just gotten more dynamic and passionate. To have her come play my little open mic is beyond flattering – the fact that she KEEPS coming back when invited just blows my mind. Here’s an artist who could OWN NERFA and Falcon Ridge and all the rest, one of the best performing artists that I’ve ever seen – I’m just floored by her. Many people come up and say that I’m on their list of “people that they don’t understand WHY they’re not FAMOUS” – well, my experience shows me that a) you need a slightly fuller package that I’ve got… stop tittering… and b) it’s not just what you are but who you know and c) you’ve got to pay your dues and do it for a long time (as Arnold Schwarzenegger said “it’s reps or mileage”) – and beyond that my experience has showed me that there are a huge number of devastatingly talented humans out there who “should” be famous…. But LEA’s on MY list of people who I simply don’t understand being still “local”. She’s been doing it for far longer than I have (she performed at my college, partially inspiring me to pick up a guitar… I bought a Takamine because she played a Jasmine), and IS the full package – beyond beautiful with extra ethnic visual interest, great writer, great performer, incredible and DISTINCT voice… varying styles, well-traveled…

Friday, September 28th found Heather and I out in West Virginia playing at the Mountain Heritage Festival. We probably didn’t catch too many earballs on this slightly off-day at the fest, but we WERE set up right across from a bunch of wineries, all who perked up at our distinctive ilyNoises. The festival as a whole was very cool. Lots of artisans from all over the area came in to sell their wares and unlike MOST festivals around, these had to be sold by the maker.

If I had some sort of “elevate in Life” spell, and I could get unselfish enough to NOT cast it on myself, I’d get that sparkle all OVER LEA.

Whatever – I’m just going on and on aren’t i?  It was a great night. LEA was a huge part of it but we had a lot of great performers and the night ended out with Crazy As A Good Thing with Heather and Kristen and I plus Bruce Lebovitz on violin, LEA on djembe and Frank Cassel on banjo. It was the way it was SUPPOSED to end.

As my brother would say “good times, good times”.

once we got home I was surprised to find a full house all playing Settlers of Catan – and I couldn’t join in! I was greatly saddened by this unfortunate turn of events.

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